I'm going back to see it again Saturday night and then again Sunday when Arthur and family are coming.
Memo from the RTC: A Chorus
Line Update - I Won’t Dance, Don’t Ask Me
By Norm Scott
They may have asked Sinatra when he sang those words, but
they didn’t ask me. I need a defibrillator
from just watching the show. But I am astounded when people who know me ask if I
have a part in A Chorus Line, if they know the show at all.
Do they have a clue that you must be able to sing, act and,
most importantly of all, dance, dance, dance until you want to drop and on a
scale of 1-10, I am minus 10 in all three categories? I wanted to drop numerous
times on opening night just watching the 24-member cast showing their triple
threat chops.
I was raving about all these facets to Director Susan
Corning at the opening night after show celebration. She reminded me, pointing
to choreographer supreme Nicola DePierrro Nellen, that despite the amazing
acting and singing, the heart of “A Chorus Line” is dance and that this
production’s success relied on the amazing work of Nicola, who also has a part
in the show as dance mistress Laurie. Whenever you see it, or if you saw it,
just think about all the choreography involved in getting so many people to
synchronize. I was taping from right up front, practically on the stage in the
corner, and got as close up as you can. It was, like, a perfect production.
I just don’t have the space to talk about all the
performances by so many RTC regulars, who are joined by a five newcomers with
major roles. Actually, almost every role is major, with each member of the cast
getting their time in the sun, which is why the play is so coveted among actors
and why reviewing all the performances would take a book. If there is a lead,
it is the role of Cassie, played by the superbly gorgeous and talented Catherin
Leib, who finally returned to the RTC in last fall’s Toxic Avenger after two
years absence while touring with a production company. The director, Zach, is
played by Frank Caiati who can do just about anything on and off stage. Both
Catherine and Frank, a member of Actors Equity and SAG/AFTRA, have been with
the RTC since they were teens, well over a decade ago. Their list of credits is
beyond extensive. They have a crucial scene opening Act II that is worth the
price of admission, followed by Catherine’s take-your breath away solo.
The fabulous Musical Director Jeff Arzberger leads an 11-member
band. I went to the 50th anniversary of the Zombies on Saturday
night and they only have 4 musicians in their band. But the RTC is all about
giving Rockaway a major taste of Broadway, baby, and with free parking too. And
a 50-50 cash on the barrel, which on opening night netted the winner with
almost $500.
I know my two or three regular readers are sick of my raving
about every show. But believe it when people leaving opening night are saying,
“I can’t believe you guys keep topping yourselves. This is the best one yet.”
The directing tandem of Susan Corning and David Risley, both
of whom have been major top-level actors at the RTC in so many shows, deliver a
perfect rendition of this complex show, which if not done expertly would be a
disaster.
Hot Yoga Rockaway Beach guru Anita Ruderman, whose word is
law, posted this comment on FB: GO SEE A
CHORUS LINE at the RTC in Ft. Tilden. A PROFESSIONAL PERFORMANCE NOT TO BE MISSED!!!
Really UNBELIEVABLE!!!! Here's the link for tickets. I'm serious. Please go see
it. :) http://www.rockawaytheatrecompany.org/ticket-reservation-s…/
Anita may sometimes talk in CAPS, but rarely does she write
in CAPS.
Norm blogs at ednotesonline.com. NAMASTE!!!
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