Showing posts with label Rockaway Theatre Company. Show all posts
Showing posts with label Rockaway Theatre Company. Show all posts

Sunday, November 16, 2014

Damn Yankees at the Rockaway Theatre Co - Photos

As always, a great show. Music/dance numbers were a smash. Either I didn't catch Katherine Robinson in previous plays or I must have been dead. She was terrific as Lola. "Better than Gwen Verdon" said my friend.... David Bellel
It was great seeing David Bellel last night.
We were sold out last night and are this afternoon and not many tickets left for the 4 shows next weekend (Fri night, Sat. matinee (3PM) and eve (8PM) and Sunday matinee closing. So come on down. I have a miniscule role with one line. We stand in line outside the theater saying goodbye to the audience and one guy told me, "you big ham." So I must have made the most of it.

Here are some photos I took Friday night from the booth where I was taping the show between running down for my walkons.

 The wives complain about husbands distracted by baseball

The devil - John Panepinto and (old) Joe - David Risley

The shower scene - all hands above the wall, please

Dana Panepinto (red blouse) blows us away - here in Shoeless Joe From Hannibal Mo.

The always awesome Katherine Robinson


More

And more

Still some tickets left







Tuesday, November 11, 2014

Opening this Friday at the Rockaway Theatre Company - Damn Yankees


The Washington Senators have heart -
I have a few walk-ons and one line. Next - Hamlet.
- I'm not in this scene - too old to be on the baseball team.
I wonder why so many teachers are involved in the RTC - and in community theater productions in general - maybe a place to be creative, given the general rigidity of the teaching environment.

Shows this Friday, Saturday eve and Sunday matinee at 3. Next weekend the same, with an additional Sat. matinee. (718) 374-6400. http://www.rockawaytheatrecompany.org/ticket-reservation-section/.


Some of the kids in the show - I'm too old for this pic too

Here are some of my columns in The Wave on the show.

To be published Nov. 14 at www.rockawave.com
Memo From the RTC: Damn Yankees Diary
By Norm Scott

Tuesday, November 11
Hell Week began last night at the Rockaway Theatre Company in prep for opening night of “Damn Yankees” this Friday. That means a grueling week of late night rehearsals for the entire cast, including the young kids and teens. I find it hard to imagine how all the people who work full-time jobs, many of whom have to travel from Brooklyn and mainland Queens, manage to handle the load. The enthusiasm was still pouring out even at 11:30PM, even from people with tiny roles. I don’t think it is just love of theater but love of the process of theater. I have a miniscule role, which affords me the opportunity to observe almost every aspect of the process – and I can’t get enough of it. The tech stuff – moving scenery smoothly from scene to scene and how coordinated all of this has to be through the masterful hand of stage manager Nora Meyers is fascinating. After Nora makes her first appearance less than two weeks before opening, so many aspects of the show begin to come together. Some first-timers involved with the RTC may have been scratching their heads even a week before opening asking, “How are we going to be ready?” But by late Thursday night of Hell Week things will be working as whip is snapped by the production team of Director John Gilleece, Producer Susan Jasper, Musical Director Richard Louis-Pierre, Lighting Director Andrew Woodbridge – wait ‘till you see the special effects – and Choreographer Nicola DePierro – who actually managed to get me to dance in “How to Succeed…”

The band made its first appearance last night and the rough spots still must be worked out. The show has some great musical numbers – like “You Gotta Have Heart” and “What Lola Wants, Lola Gets” and as usual, actors with great voices at the RTC deliver. As a matter of fact, there is so much demand coming from talented people who want to perform at the RTC, John Gilleece felt the need to double cast for the key roles of the devil and Lola. John wants to expose RTC theater goers to a constant influx of new talent. Newcomers Erika Brito and Michael Whelan join RTC regulars John Panepinto and Katherine Robinson. So, you’ll all have to see the show twice as each performer brings their own style to the performances. This weekend, John plays the devil while Katherine will be performing at the Friday and Saturday night performances, with Erica doing the Sunday matinee.

I will be in all 7 performances, working like the devil to remember my one line – the devil asks me for the score and I say “4-3, Washington.” I’m tempted to change it to, “4-3, Republican Senators.”

Read Norm’s other column, School Scope, “Ferry Follies” and his devil of a blog ednotesonline.org.

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Here is my Oct. 24 column on Damn Yankees when I wasn't aware Erika Brito was sharing the role with Katherine.

Those Darn Yankees

By Norm Scott

Katherine Robinson is playing the role of the seductress Lola in RTC’s upcoming Damn Yankees. Katherine Robinson is playing the role of the seductress Lola in RTC’s upcoming Damn Yankees. Having just returned from 10 days of perfect weather in Sicily, I totally missed what was happening in the sports world and there were some surprises.

So I write this as the World Series is about to start in a few hours between Kansas City and San Francisco. Anyone seen a sign of our local teams anywhere near the playoffs this year? Well, no worries. You can catch the Yankees at the Post Theater in Fort Tilden in the upcoming Rockaway Theatre Production of Damn Yankees.
As he often does, Director John Gilleece has a cast of thousands, including yours truly with a walkon as a sports reporter.
My dream is to wear a “Lindsey Nelson” (the late Mets announcer), a loud-as-you-can-get sport jacket.
John even managed to rope in RTC Master Builder Tony Homsey to also play a sportswriter.
I was on Tony’s set-building crew as we put together the dugout and the stands and we chewed the fat while chewing tobacco and talking about our motivation for the role.
I imagine most people know the basic story. How a Washington Senators (first in war, first in peace and last in the American league) fan and Yankee hater Joe Boyd/Hardy sells his soul to the devil for a chance to beat the Yankees. I firmly believe the people running the teams that beat out the Yankees did just that this year.
Have you seen Buck Showalter since Baltimore lost to Kansas City? The devil (Mr. Applegate) uses seductress Lola, who will be played in most performances by the stunning Katherine Robinson, to lure Joe into temptation.
Who wouldn’t be lured into temptation by Katherine?
Whatever Lola wants, Lola gets and she wants you all to come see her on one of these dates: Nov. 14, 15, 21, and 22, at 8:00 p.m. Matinees: Nov. 16, 22, 23 at 3:00 p.m.
You can call the RTC at 718-374- 6400 or visit the website at www.rockawaytheatrecompany.org.

Saturday, September 13, 2014

GODSPELL OMG, Frank Caiati Works a Miracle

I am not big on Jesus stuff - except maybe how his Bar Mitzvah went. But being part of the set-building team, a set designed by Director Frank Caiati, I saw the evolution and some early rehearsals and knew Frank's unique vision of GODSPELL would blow people away. And the boy has done it, including breaking the 4th wall, with the audience playing a role.


Here is a comment from someone in the show on Facebook.
Stop whatever you are doing and go see GODSPELL at RTC right now. It is everything. It is beyond. You will have your heart filled with joy and then crushed to pieces in-between laughing so hard it hurts. EVERY. SINGLE. performance was fantastic - Matthew Smilardi - you are wonderful, you broke my heart - PERFECTION!!! John Pud Panepinto you have out done yourself. Jacqueline Samaha you ARE Beauty. Chazmond J. Peacock as always captivating, Stephen J Ryan your focus and energy are unmatched, the entire ensemble, the sets, the lights, THE ORCHESTRA!!!! It could not have run smoother (Miss Nora Meyers) and finally Frank Caiati - you are a gift. Your talent is infinite and we are all so lucky to watch your vision come to light - no fog necessary. If I forgot anything it's only because I am overwhelmed with the quality, energy and heart of this production and everyone needs to go see this show - RIGHT. NOW!!! GO SEE GODSPELL!!!!!!!
Directed By :Frank Caiati
Musical Direction By : Jeffrey Arzberger
Musical Arrangements By : Stephen Schwartz
Written By :John-Michael Tebelak

Post Theatre at Fort Tilden (RTC's Home)

Ticket Information :

Adults : $20.00
Seniors : $15.00
Children : $15.00

PERFORMANCE SCHEDULE :

Sep 19,2014
8:00 pm
SEATS AVAILABLEBOOK NOW
Sep 20,2014
8:00 pm
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Sep 21,2014
2:00 pm
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Sep 26,2014
8:00 pm
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Sep 27,2014
8:00 pm
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Sep 28,2014
2:00 pm
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Reserve your ticket





Saturday, August 23, 2014

Memo From The RTC: The Road to “Godspell”

Nora Meyers, Kim Simek, Frank Caiati, Gabrielle Mangano,  Jeff and Heather Arzsberger


Published in The Wave, August 22, 2014.


Memo From The RTC: The Road to “Godspell”
By Norm Scott, with Frank Caiati

Under the direction of master builder Tony Homsey, the set for the RTC production of Godspell, opening Sept. 12, is almost complete (with a lot of painting still to be done). Choreographer Gabrielle Mangano, who teaches dance and choreography for the RTC's Young Adult's Workshop, emailed, “It is going to be a very powerful show. I think it will shock a lot of people. The talent within both the production crew and cast is unparalleled to any show I've worked on and I've been apart of the RTC for 12 years.” One actor told me that Gabrielle’s choreography requires the cast to do all sorts of stunts and acrobatics. “She’s kicking our ass, but it is one of the most exciting shows I’ve been in.”

When I stopped by the theater on Saturday, Director Frank Caiati was working with Tony to install the brick walls on the set. I couldn’t resist hanging around to work with them. Frank, 28, was my acting teacher and I would never have had the nerve to be in a show without his encouragement. When I first met Frank, it was his acting that blew me away. Then came his directing of a number of shows and then we find out he is a master set designer too.

Frank is putting together an original concept for the play. It will take place outside a factory. The set is built to simulate that environment. There is a massive, what I’ll appropriately term, given the subject of the show, “stairway to heaven.” And all kinds of interesting structures on stage – ladders, a loading dock, and more.

Frank has put together a top-level creative team. In addition to Gabrielle, Jeff and Heather Arzberger as musical directors, Kim Simek, just off her triumph as Louise in Gypsy, is the Assistant Director, and the always essential Nora Meyers as the Stage Manager. They all are teachers in the NYC public schools (other than Gabrielle). [See photo - from left to right - Nora, Kim, Frank, Gabrielle, Jeff, Heather].

I asked Frank for his thoughts on the show and he responded in this email.

The show is composed of various musical parables from The Gospel According to Matthew. Jesus recruits a group of followers and teaches them various lessons through song and dance. Toward the end of the second act, the show begins to follow a more linear narrative as Jesus is betrayed by Judas and eventually crucified.

Godspell appeals to me as a director because of the unique way it mixes high-energy contemporary musical theatre with moments of quiet poignancy. The show is basic storytelling at its best, at times even involving a few audience members in the process!

The Godspell cast and creative team all sincerely LOVE this show. That kind of energy and dedication is infectious at rehearsals.

What makes Godspell so unique is that the script is open to the director's interpretation and concept of the material. The playwright demands that the show feel industrial, citing the original 1970's staging which utilized a minimal set and a chain-link fence. Our production embraces this industrial feel with a highly detailed and realistic warehouse set that boasts Broadway-caliber lighting and special effects. Regarding costume design, the original production utilized a clownish/hippie type wardrobe, while our Godspell costume design focuses on quirky colorful costumes with a steampunk/ industrial edge.

Right now we are busy in the throes of production. The set is being painted, lighting designs are being created, custom sound designs are being recorded, costumes are being pulled from our vast stock and getting fitted to the actors, staging and choreography is being taught in full swing, and music is being perfected.

Why should people come to Godspell? It is a fun, emotional, and deeply impactful piece of the theatre. No matter your personal beliefs, Godspell transcends religion and addresses timeless themes of love, loyalty, trust, and peace. The "renewal" theme of Godspell is especially apropos to our Rockaway community post-Sandy.

Godspell boasts an eclectic rock score by Stephen Schwartz, composer of Broadway's Wicked and Pippin. Audiences will be delighted to hear familiar songs, "Day by Day", "Bless the Lord My Soul", and "Beautiful City."

Godspell runs at the Rockaway Theatre Company Sept. 12, 13, 19, 20, 26, 27 at 8:00pm and Sept. 14, 21, 28 at 2:00pm. Tickets can be ordered by calling 718-374-6400 or by visiting www.rockawaytheatrecompany.org

Saturday, August 9, 2014

Gypsy Pics - One Last Time

Farmhands - only pic on this page I didn't take

I am a hoarder - never throw anything away - so I have these pics on my hard drive and want to delete them to make room. So, I just use Ed Notes as a dumping ground. What other purpose does it have?

I set up the camera and let it roll when I went backstage

The orchestra pit

Chowsie played by Nick


Baby June

Louise - growing up

Chinese restaurant scene

Baby June grownup

June and Louise sing about Mama getting married

Louise and Tacoma finale

Everything's Coming up Mama Roses

The Torreadoras

How do you get to Carnegie Hall? Not this way

Who cares if she can play the trumpet?

Boy, they gotta gimmick

Go out and strip, girl

Cast party - Franky (right) and John with prop for Godspell

Catherine with gift for Director Susan

John after dancing



Tuesday, August 5, 2014

Gypsy Finale - Joy and Sadness

The Sunday matinee was our last performance - 9 out of 10 were sold out. The cast party afterwards was also a howl as the little kids did their version of the grown-ups acting. An 8-year old doing the strippers had us in stitches.

Sadly, today we struck the set and started building the set for Godspell. When a show ends it is like a school year ending - relief with sadness over the breaking up of the team - maybe a reason so many teachers use their spare time to be involved in the Rockaway Theatre Company. Some experience withdrawal symptoms. I would too - but I have all the ed crap to fill in the gap.

Mr. Goldstone surrounded by admirers - the young lady - grownup baby June - is an awesome talent - and going into her sophomore year at Fort Hamilton HS


Selfie by Kim Simek - a teacher who could be a professional actor - she delivered a performance as Louise/Gypsy Rose Lee as good as it gets
The entire cast - aged 7 to 72 - I'm 2nd oldest

Some backstage fun.


A selfie with me by John Panipinto who starred in How to Succeed...

Steve and Catherine - anchors aweigh


The Gypsy strippers

Oh, those costumes

Kim coming backstage to cheers at finale in what she termed "the role of a lifetime"

Catherine with Matt and John - Caroline the cow - Matt plays the rear end

Joe Hagopian and date

Steve really wanted to play Gypsy Rose Lee
Joe and John face off - see that young lady in background? She played Agnes - 16 years old and a natural on stage - goes to Scholars Academy in Rockaway - there were 2 other students from the school in the show
John and Jess - a teacher - in her other role when she is not Tessie Tura, the stripper